compared with
Current by Vladimir Alexiev
on Jul 16, 2014 10:32.

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You must comply with [BMX Issues#Thesaurus requirements]
Each term should be both a CRM entity of appropriate type, and skos:Concept.
Each term should be both a CRM entity of appropriate type (see [#CRM Types of Thesauri]) and a skos:Concept; and should have skos:inScheme.
- (-) You have this for some (eg Agents) but not others (eg Title Type).

h3. Meta-Thesaurus

(-) Each thesaurus (ConceptScheme) used by Yale should be described in [Meta-Thesaurus and FR Names#YCBA Thesauri|Meta-Thesaurus and FR Names#YCBA Thesauri] (this section will be merged to the rest of the table)
(+)  Each thesaurus (ConceptScheme) used by Yale must be described in [Meta-Thesaurus and FR Names#YCBA Thesauri|Meta-Thesaurus and FR Names#YCBA Thesauri] (this section will be merged to the rest of the table). This applies to both Getty and YCBA-local thesauri.
There's a long list of bugs (currently in email), some are added below.
- Your thesaurus URIs must match those used in instance data, else things won’t mesh. E.g. in meta you’ve used thesauri/aspect. But the Turtle examples in my page, and Daniel’s RDF files about images, use thesauri/image/flag. If you prefer, call it thesauri/image/aspect, but then edit my examples and Daniel’s conversion to use that same ConceptScheme.

This applies to both Getty and YCBA local thesauri.
- {status:title=future|color=blue} extend RS to handle AAT as one ConceptScheme that includes a number of facets (hierarchies) for object type, material, technique, etc
- (-) Export AAT terms to scheme aat: and a different concept scheme per Facet. Use the actual AAT Facet (top-level) URL as concept scheme (I may be recommending something similar to Getty as well), but isolate in a prefix definition:
| *Meta ConceptScheme* | *comment* |
| [http://collection.britishart.yale.edu/id/thesauri/activity/|http://collection.britishart.yale.edu/id/thesauri/activity/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/group/|http://collection.britishart.yale.edu/id/thesauri/group/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/image/flag/] | |
| [http://collection.britishart.yale.edu/id/thesauri/person-institution/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/authority/] | What's its relation to /production |
| [http://collection.britishart.yale.edu/id/thesauri/extent/] | |
| [http://collection.britishart.yale.edu/id/thesauri/inscription/] | |
| [http://collection.britishart.yale.edu/id/thesauri/likelihood/] | |
| [http://collection.britishart.yale.edu/id/thesauri/material/] | |
| [http://collection.britishart.yale.edu/id/thesauri/materialType/] | |
| [http://collection.britishart.yale.edu/id/thesauri/matcult/] | |
| [http://collection.britishart.yale.edu/id/thesauri/identifier/] | |
| [http://collection.britishart.yale.edu/id/thesauri/identifier/exhibition/] | |
| [http://collection.britishart.yale.edu/id/thesauri/person-institution/] | YCBA is already listed in ULAN, and you have person-institution. So do you really need this? EDG: we need this until ULAN IDs are in TMS/LIDO |
| [http://collection.britishart.yale.edu/id/thesauri/qualification/] | Called above /likelihood - removed, done - EDG: for commenced by, completed by, finished by |
| [http://collection.britishart.yale.edu/id/thesauri/title/] | |
| [http://iconclass.org/rdf/2011/09/] | |
| [http://vocab.getty.edu/aat/300000000/] | |
| [http://vocab.getty.edu/aat/300264088/|http://vocab.getty.edu/aat/300264088/]\\ | |
| [http://vocab.getty.edu/aat/300264090/|http://vocab.getty.edu/aat/300264090/]\\ | |
| [http://vocab.getty.edu/aat/300264091/|http://vocab.getty.edu/aat/300264091/]\\ | |
| [http://vocab.getty.edu/tgn/] | |
| [http://vocab.getty.edu/ulan/] | |

h3. Validate Instance Schemes

This command extracts skos:inScheme statements from instance data (all Ttl files). Run it in the data/ directory:
{code:bash} grep -h inScheme ttl/* cds_ttl/* ycba2cds/* | perl -pe "s{.*inScheme }{}; s{ [;.]$}{}" | sort | uniq {code}
If you're on linux you got these tools. If you're on Windows, install [http://cygwin.org].

(+)  The current list of Concept Schemes in instances is below. Resolve it against meta:
- Schemes in instances but not in meta: are undefined
- Schemes in meta but not in instances: are either useless, or indicate a defect in instance mapping (scheme is not specified).
In particular I'm worried that the instance list is quite shorter than the meta list.
- (!) It DOES matter whether there is a trailing slash or not. My preference is to consistently use a trailing slash (so the scheme is a full prefix of the term), but that's up to you. Whatever you choose, you must be consistent

| *Instance ConceptScheme* | *comment* |
| [http://collection.britishart.yale.edu/id/thesauri/genre/] | ok |
| [http://collection.britishart.yale.edu/id/thesauri/image/flag/] | ok: but wrong in meta - done |
| [http://collection.britishart.yale.edu/id/thesauri/image/format/] | ok: but wrong in meta - done |
| [http://collection.britishart.yale.edu/id/thesauri/inscription/] | ok |
| [http://collection.britishart.yale.edu/id/thesauri/matcult/] | ok: But note that "16th century" is NOT a [#Period/Culture] |
| [http://collection.britishart.yale.edu/id/thesauri/material/] | ok |
| [http://collection.britishart.yale.edu/id/thesauri/nationality] | ok |
| [http://collection.britishart.yale.edu/id/thesauri/objecttype/] | ok |
| [http://collection.britishart.yale.edu/id/thesauri/place] | ok |
| [http://collection.britishart.yale.edu/id/thesauri/subject/] | ok |
| [http://collection.britishart.yale.edu/id/thesauri/periods/] | For '16th century', ... |
| [http://collection.britishart.yale.edu/id/thesauri/person-institution/|http://collection.britishart.yale.edu/id/thesauri/person-institution/] | |
| [http://collection.britishart.yale.edu/id/thesauri/authority/|http://collection.britishart.yale.edu/id/thesauri/authority/]\\ | commissioned by: CO |
| [http://collection.britishart.yale.edu/id/thesauri/collection/]\\ | used to be thesauri/department/ |
| [http://collection.britishart.yale.edu/id/thesauri/dimension/|http://collection.britishart.yale.edu/id/thesauri/dimension/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/extent/|http://collection.britishart.yale.edu/id/thesauri/extent/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/event/|http://collection.britishart.yale.edu/id/thesauri/event/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/identifier/|http://collection.britishart.yale.edu/id/thesauri/identifier/] | |
| [http://collection.britishart.yale.edu/id/thesauri/likelihood/|http://collection.britishart.yale.edu/id/thesauri/likelihood/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/materialType/|http://collection.britishart.yale.edu/id/thesauri/materialType/]\\ | |
| [http://vocab.getty.edu/ulan/|http://vocab.getty.edu/ulan/]\\ | |
| [http://vocab.getty.edu/tgn/|http://vocab.getty.edu/tgn/]\\ | |
| [http://vocab.getty.edu/aat/300264088]\\ | AAT Styles and Periods Facet: British, American, etc |
| [http://vocab.getty.edu/aat/300264090]\\ | |
| [http://vocab.getty.edu/aat/300264091]\\ | |
| [http://vocab.getty.edu/aat/300000000]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/production/|http://collection.britishart.yale.edu/id/thesauri/production/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/technique/|http://collection.britishart.yale.edu/id/thesauri/technique/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/units/|http://collection.britishart.yale.edu/id/thesauri/units/]\\ | |
| [http://iconclass.org/rdf/2011/09/|http://iconclass.org/rdf/2011/09/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/event/type/|http://collection.britishart.yale.edu/id/thesauri/event/type/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/gender/|http://collection.britishart.yale.edu/id/thesauri/gender/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/identifier/source/|http://collection.britishart.yale.edu/id/thesauri/identifier/source/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/identifier/exhibition/|http://collection.britishart.yale.edu/id/thesauri/identifier/exhibition/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/title/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/group/]\\ | |
| [http://collection.britishart.yale.edu/id/thesauri/qualification/] | |
| [http://collection.britishart.yale.edu/id/thesauri/activity/]\\ | |

h3. CRM Types of Thesauri

Each ConceptScheme determines a CRM type (rso:hasRange), which in term determines which FRs (searches) are applicable to it. The mechanism is described in [Meta-Thesaurus and FR Names#Thesaurus to FR Compatibility|Meta-Thesaurus and FR Names#Thesaurus to FR Compatibility]. Consequently RS needs each term to be attached to a single ConceptScheme.

The CRM types are shown on the diagram at the end of that page, and listed below. For each CRM type we give the relevant ConceptSchemes. While ULAN and TGN map to one type each, AAT comprises several [Facets|http://www.getty.edu/vow/AATHierarchy?find=formica&logic=AND&note=&subjectid=300000000] (top-level URLs) that map to different types:
- crm:E39_Actor: ULAN, YCBA People
- crm:E53_Place: TGN, YCBA Places
- crm:E4_Period: AAT Styles and Periods Facet (see [#Period/Culture])
- crm:E57_Material: AAT Materials Facet
- rso:E55_Technique: AAT Activities Facet (includes Processes and Techniques)
- crm:E55_Type: all the rest of AAT: Objects, Associated Concepts, Physical Attributes, Agents (these are kinds of agents, not specific agents\!), Brand Names (see [#Brand Names])
- crm:E58_Measurement_Unit (not searchable): YCBA Units
- crm:E31_Document (not searchable): YCBA Bibliography

h3. AAT Concept Schemes

(-) Declare different AAT concept schemes in the Meta Thesaurus, as per the type breakdown above. Use the actual [AAT Facet|http://www.getty.edu/vow/AATHierarchy?find=&logic=AND&note=&english=N&subjectid=300000000]:
{noformat}
@prefix aat: <http://vocab.getty.edu/aat/300000000> . # all of AAT
@prefix aat_objects: <http://vocab.getty.edu/aat/300264092> . # Objects facet
<http://vocab.getty.edu/aat/300264091> a skos:ConceptScheme; rdfs:label "AAT Materials".
<http://vocab.getty.edu/aat/300264090> a skos:ConceptScheme; rdfs:label "AAT Activities/Processes/Techniques".
<http://vocab.getty.edu/aat/300264088> a skos:ConceptScheme; rdfs:label "AAT Styles/Periods".
<http://vocab.getty.edu/aat/300000000> a skos:ConceptScheme; rdfs:label "AAT". # all the rest of AAT
{noformat}

(-) Export AAT terms to these different schemes, but isolate in a prefix definition:
{noformat}
@prefix aat_materials: <http://vocab.getty.edu/aat/300264091> . # Materials Facet
@prefix aat_activities: <http://vocab.getty.edu/aat/300264090> . # Activities Facet, includes Processes and Techniques
@prefix aat_periods: <http://vocab.getty.edu/aat/300264088> . # Styles and Periods Facet
@prefix aat: <http://vocab.getty.edu/aat/300000000> . # all the rest of AAT

<http://vocab.getty.edu/aat/300033618> skos:inScheme aat:, aat_objects: . # paintings (visual works)
<http://vocab.getty.edu/aat/300014078> skos:inScheme aat:, aat_materials: . # canvas
<http://vocab.getty.edu/aat/300230058> skos:inScheme aat:, aat_activities: . # oil golding
<http://vocab.getty.edu/aat/300111159> skos:inScheme aat:, aat_periods: . # British (modern)
<http://vocab.getty.edu/aat/300250148> skos:inScheme aat: . # horses (animals). prefLabel=Equus caballus (species)
<http://vocab.getty.edu/aat/300014078> skos:inScheme aat_materials: . # canvas: Materials facet
<http://vocab.getty.edu/aat/300230058> skos:inScheme aat_activities: . # oil golding: Activities facet
<http://vocab.getty.edu/aat/300111159> skos:inScheme aat_periods: . # British (modern): Styles and Periods facet
<http://vocab.getty.edu/aat/300033618> skos:inScheme aat: . # paintings (visual works): Objects facet
<http://vocab.getty.edu/aat/300250148> skos:inScheme aat: . # horses (animals) [prefLabel=Equus caballus (species)]: Agents facet
{noformat}

The last example (Agents Facet> Living Organisms> ... > horses) shows that there's no way to define a Subjects scheme narrower than aat: itself, because subjects can come from any AAT Facet. In particular, this branch (facet) is not enough:
You already do this for Technique but use a Yale scheme
{noformat}
@prefix aat_concepts: <http://vocab.getty.edu/aat/300264086> . # Associated Concepts
{noformat}
-- (-) You already do this for Technique but use a Yale URL for the scheme (may be ok for now, but need to change in the future)
{noformat}
aat:230058 a skos:Concept; skos:prefLabel "oil gilding";
skos:inScheme <yale/thes/technique>.
{noformat}

Limitation:
- RS currently needs each term to be assigned to a single concept scheme.
- Each term invokes one set of FRs, as per [Meta-Thesaurus and FR Names#FR Names Table|Meta-Thesaurus and FR Names#FR Names Table].
- The "split facets" Materials; Activities; Styles invoke these corresponding FRs: made of; used technique; was present at, about period.
- Object Type, Shape, About subject (where the subject is a type or Iconclass, not Period/Agent/Place) are mapped to E55_Type and thus to FR "is/has/about"
- So if a painting has a *Subject* selected from the "split facets", currently it cannot be found through this term. But such Subject is not very likely
- {status:title=future|color=blue} Extend RS to handle AAT as one ConceptScheme that includes a number of facets (hierarchies) for object type, material, technique, etc



h3. Brand Names

(-) Yale to check whether they use any terms from the [Brand Names Facet|http://www.getty.edu/vow/AATHierarchy?find=300028576&logic=AND&note=&subjectid=300343372], in particular:
- [<brand name materials>|http://www.getty.edu/vow/AATFullDisplay?find=300028576&logic=AND&note=&subjectid=300375551], such as Teflon (TM), Tupperware (TM).
-- there's an object using [Formica (TM)|http://www.getty.edu/vow/AATHierarchy?find=formica&logic=AND&note=&english=N&prev_page=1&subjectid=300014581]. Although this is a brand name, it is in the Materials Facet (Getty inconsistency)
- [<brand name techniques and processes>|http://www.getty.edu/vow/AATFullDisplay?find=300028576&logic=AND&note=&subjectid=300375174]

Vladimir: I think having a Brand Names Facet is logically inconsistent. These are Techniques, Materials etc; so they should be put in the corresponding facet, and have a flag to mark them as Brand Name. I'll talk to Getty

Emmanuelle: &nbsp;yes, we are using Formica (TM) as a material that went in the making of the table in Damien Hirst's installation&nbsp;[http://collection.britishart.yale.edu/id/page/object/4908|http://collection.britishart.yale.edu/id/page/object/4908]

This is the path of the 'Formica (TM)' term that we indexed:&nbsp;Formica (TM) / <plastic by production method> / plastic / organic material / <materials by composition> / materials / Materials / MATERIALS FACET / Art & Architecture Thesaurus

As Vladimir explains above, in our 15\+ year old copy of the AAT there is no&nbsp;[<brand name materials>|http://www.getty.edu/vow/AATFullDisplay?find=300028576&logic=AND&note=&subjectid=300375551]&nbsp;facet. The term is in the Material facet. &nbsp;The current online AAT has a&nbsp;[<brand name materials>|http://www.getty.edu/vow/AATFullDisplay?find=300028576&logic=AND&note=&subjectid=300375551]&nbsp;facet, but it still does not include Formica (TM) (it's still in the Materials facet)

h3. Searchable/Taggable Thesauri

Emmanuelle: It would be helpful to briefly go over the definitions for searchable and tagable.
- Searchable is a thesaurus that can be used in FR search. The list of FRs is [Meta-Thesaurus and FR Names#FR Names Table|Meta-Thesaurus and FR Names#FR Names Table] and the detailed definitions are [FR Implementation]. Examples:
(-) Don't know how this happened but it is crazy. Can you fix it in the conversion script?

h2. Local Terms
* Emmanuelle:&nbsp;YCBA LIDO has some AAT codes that are truncated compared to the&nbsp;original because this is how the AAT codes were 15\+ years ago when they&nbsp;were loaded in TMS.&nbsp; Unfortunately the vendor never updated the TMS&nbsp;thesaurus manager.
* Vladimir:&nbsp;The best way is to fix at the source (TMS). Think you need to speak to them about an upgrade.&nbsp;If they can't do it soon enough, then fix in the conversion.
* Emmanuelle: If we want to fix this problem in the conversion&nbsp;script, then it will be helpful to know that AAT terms always start&nbsp;with 30 and are always 9 digits.&nbsp; So if the old AAT code for 'oil&nbsp;paint' was 15050, the current one should be 300015050.&nbsp; The same&nbsp;behavior happens in the TGN with the 70 prefix.&nbsp;
* Lec:&nbsp;We can catch and add the prefixes but this cannot be done in RDFer (limitations of the digit functions) let me see if our move to XSLT is done, and if COBOAT can fill this in. Back in touch with you soon
* Ken:&nbsp;All the more reason to leave those old things out for now.&nbsp;Also worth bringing up at Getty in September.&nbsp;
* Vladimir:&nbsp;At this stage Yale will be emitting its own version of terms (embedded in object data), so Lec you don't need to fix it.&nbsp;It matters only to your students when they do coreferencing to BM thesauri.&nbsp;But longer term it needs to be fixed.
* Emmanuelle: One thing to be aware&nbsp;of, however, is that the current AAT is somewhat different from our 15&nbsp;year old copy and some terms valid back then have been decommissioned today.&nbsp;








{color:#000000}{*}Local Terms{*}{color}

(-) don't export a term as "-1", eg [http://collection.britishart.yale.edu/id/thesauri/AAT/-1]
- Lec: Emmanuelle, please have some students go through TMS, I exclude now anything that has \-1
Lec: Awaiting Emmanuelle confirmation if subjectActor will have multiple names, currently not in LIDO
Emmanuelle: yes a fair number of our subjectActor have alternate names in addition to their preferred names.
- (+) you don't have any date (P82_at_some_time_within) for <person-institution/142/birth/date>. This makes all the following statements useless, so kill them.
Lec: we now have P82 and are taking into account both person and groups

h3. Nationality

Nationality and Profession are modeled as Groups (Gender is merely a Type), eg:
{noformat}
<http://collection.britishmuseum.org/id/person-institution/207075>
a crm:E21_Person, skos:Concept;
skos:inScheme id:person-institution;
skos:prefLabel "Alfonso Ruspagiari";
bmo:PX_gender <http://collection.britishmuseum.org/id/thesauri/gender/male>;
bmo:PX_nationality <http://collection.britishmuseum.org/id/thesauri/nationality/Italian>;
bmo:PX_profession <http://collection.britishmuseum.org/id/thesauri/profession/sculptor/medallist>.

bmo:PX_gender rdfs:subPropertyOf crm:P2_has_type .
bmo:PX_nationality rdfs:subPropertyOf crm:P107i_is_current_or_former_member_of .
bmo:PX_profession rdfs:subPropertyOf crm:P107i_is_current_or_former_member_of .
{noformat}
This lets you search eg for "things produced by Italians" or "things produced by Sculptor-Medallists".

object/52176 has a complication: <[http://collection.britishart.yale.edu/id/person-institution/6436]> has nationality "British, active in Italy (1837-1839)". This is not 1 but 2 "nationalities", the second one temporary (only 2 years). This causes an invalid URL:
{jira:RS-1922}
The URL can be fixed but that's not enough. If you model this as a single "nationality", you'd get too many unrelated "nationalities" and if you search by eg "American", you won't find the above person.

(-) So you must break this up. Options:
# Nationality plus Activity
{noformat}
<person-institution/6436>
bmo:PX_nationality <thesauri/nationality/American>;
P14i_performed <person-institution/6436/activity>.
<person-institution/6436/activity> a E7_Activity;
P2_has_type <thesaurus/activity/active>;
P7_took_place_at <place/Italy>;
P4_has_time-span <person-institution/6436/activity/date>.
<person-institution/6436/activity/date> a E52_Time-Span;
P82a_begin_of_the_begin "1837"^^xsd:gYear;
P82b_end_of_the_end "1938""^^xsd:gYear.
{noformat}
Pro: most faithful modeling. Cons: won't let the user search by "creator from Italy" because this P14i_performed is not included in FR_created_by.
# Treat Temporary "Nationality" as Permanent:
{noformat}
<person-institution/6436>
bmo:PX_nationality <thesauri/nationality/American>, <thesauri/nationality/Italian>.
{noformat}
Pro: user can search by "creator from Italy".
Cons: Less faithful modeling, since the temporary "nationality" is represented the same way as the permanent nationality.
Cons: Requires Yale to correlate country of activity ("Italy") to nationality ("Italian")
# Discard Temporary "Nationality"
{noformat}
<person-institution/6436> bmo:PX_nationality <thesauri/nationality/American>.
{noformat}
Pro: easiest to implement
Cons: loses information

(+) &nbsp;Emmanuelle: solution #1 is the best one to implement for Yale data. &nbsp;"Creator from India" seems to imply that indeed the creator is Indian, which is not the case. &nbsp;An example is&nbsp;[http://collections.britishart.yale.edu/vufind/Record/1668426|http://collections.britishart.yale.edu/vufind/Record/1668426]. &nbsp;It is impossible to mistaken&nbsp;Thomas Daniell's hunting scene for the work of a native Indian artist.

h3. Birth Place

"Born in" should be mapped to E67_Birth - P7_took_place_at.

For E67 reuse the same URL (e.g. <person-institution/6046/birth>)


h3. Life Dates

(+) you don't have any date (P82_at_some_time_within) for <person-institution/142/birth/date>. This makes all the following statements useless, so kill them.
Lec: we now have P82
{noformat}
<person-institution/142>
crm:P92i_was_brought_into_existence_by <person-institution/142/birth> ;
crm:P4_has_time-span <person-institution/142/birth/date>
{noformat}
-- - (+) Same for death
- (+) If you know whether it's a person or institution then use the respective specific subprop & subclass instead of the generic P92i, E63:
Person: P98i_was_born, E67_Birth
Group: P95i_was_formed_by, E66_Formation

(+) Lec: we have more variety in Person dates. Emmanuelle to provide some more examples
(-) This is wrong
{noformat}
<person-institution/6046/birth> a crm:E67_Birth ;
crm:P82_at_some_time_within <person-institution/6046/birth/date> .
<person-institution/6046/birth/date> a crm:E52_Time-Span ;
rdfs:label "1609" ;
crm:P82a_begin_of_the_begin "1609"^^xsd:gYear .
<person-institution/6046/death> a crm:E69_Death ;
crm:P82_at_some_time_within <person-institution/6046/death/date> .
<person-institution/6046/death/date> a crm:E52_Time-Span ;
rdfs:label "1672" ;
crm:P82b_end_of_the_end "1672"^^xsd:gYear .
{noformat}
- The relation to E52 must be P4 not P82
- You don't use P82a vs P82b depending on the nature of the event (birth or death). When you have a single event date, just use P82

Should be:
{noformat}
<person-institution/6046/birth> a crm:E67_Birth ;
crm:P4_has_time-span <person-institution/6046/birth/date> .
<person-institution/6046/birth/date> a crm:E52_Time-Span ;
rdfs:label "1609" ;
crm:P82_at_some_time_within "1609"^^xsd:gYear .
<person-institution/6046/death> a crm:E69_Death ;
crm:P4_has_time-span <person-institution/6046/death/date> .
<person-institution/6046/death/date> a crm:E52_Time-Span ;
rdfs:label "1672" ;
crm:P82_at_some_time_within "1672"^^xsd:gYear .
{noformat}

h3. Dates Variety

Lec: we have more variety in Person dates. Emmanuelle provided examples, Vlado provided Turtle code:
- Some institutions have documented dates of existence: Published by Advanced Graphics London, 1969-present in [http://collection.britishart.yale.edu/id/page/object/48770]
{noformat}
<person-institution/11215> a E74_Group, skos:Concept; # not E21_Person! If you know it's incorporated, use E40_Legal_Body (see next section)
skos:prefLabel "Advanced Graphics London";
P92i_was_brought_into_existence_by <person-institution/11215/birth>;
# P93i_was_taken_out_of_existence_by <person-institution/11215/death>; # NO death/date, therefore omit this altogether
{noformat}
- Creator that is an institution: Monro School (but no documented dates of existence in our system): [http://collection.britishart.yale.edu/id/page/object/5981]
Same as above
- institution as Rights Administrator: Design and Artists Copyright Society in [http://collection.britishart.yale.edu/id/page/object/5054]
We don't map this, see [#Copyrighted]
- Richard Wilson, 1712 or 1713-1782 in [http://collection.britishart.yale.edu/id/object/423]
{noformat}
<person-institution/N/birth/date> a crm:E52_Time-Span ;
rdfs:label "1712 or 1713" ;
crm:P82a_begin_of_the_begin "1712"^^xsd:gYear ;
crm:P82b_end_of_the_end "1713"^^xsd:gYear
{noformat}
Emmanuelle: shouldn't it be crm:P82b_end_of_the_begin "1713"^^xsd:gYear rather?
- Damien Hirst, born 1965 in [http://collection.britishart.yale.edu/id/object/4908]
Skip all of these altogether:
{noformat}
# <person-institution/N> P100i_died_in <person-institution/N/death>.
# <person-institution/N/death> a E69_Death;
# <person-institution/N/death/date> P4_has_time-span.
# <person-institution/N/death/date> HAS NONE
{noformat}
- John Samuel Agar, ca. 1770-after 1820 in [http://collection.britishart.yale.edu/id/page/object/26383]
{noformat}
<person-institution/N/death/date> a crm:E52_Time-Span ;
rdfs:label "after 1820" ;
crm:P82a_begin_of_the_begin "1712"^^xsd:gYear ;
crm:P82b_end_of_the_end "1713"^^xsd:gYear
{noformat}
(?) &nbsp;Emmanuelle: I am not sure where 1712 and 1713 come from? &nbsp;His&nbsp;crm:P82a_begin_of_the_begin should be&nbsp;1765 and his&nbsp;crm:P82b_end_of_the_end should be 1830.
- Print made by John Bruce, fl. 1826 in [http://collection.britishart.yale.edu/id/page/object/30564]
"Flourit" can be modeled as E7_Activity that the person P12i_was_present_at, see [BMX Issues#Person / Biographical Dates]

(+) Lec: LIDO may not contain the correct data in the eraliestDate earliestDate and latestDate in vitalRecord for all dates esp., most of these above are in Display, so I recommend we ignore for time being
(?) Vlado: ok, but first consider the Turtle snippets above

(+) &nbsp;Emmanuelle: Lec, when there are values in&nbsp;earliestDate and latestDate they are mostly correct. &nbsp;The most common case is that&nbsp;earliestDate and latestDate do not carry any values and we only have the Display.


h3. Gender

(-) &nbsp;Gender terms are used with&nbsp;bmo:PX_gender (eg <[http://collection.britishart.yale.edu/id/thesauri/gender/male]>) but are not defined


h3. Person vs Group vs Institution

If you can distinguish in LIDO different kinds of Actors (Person/ Group (informal)/ Legal Body (institution)) then use specific subclasses and subprops. The number of dashes below shows class nesting:
| *Actor* | *Begin* | *begin prop* | *end* | *end prop* |
| E39_Actor | E63_Beginning_of_Existence | P92i_was_brought_into_existence_by | E64_End_of_Existence | P93i_was_taken_out_of_existence_by |
| \-E21_Person | \-E67_Birth | P98i_was_born | \-E69_Death | P100i_died_in |
| \-E74_Group | \-E66_Formation | P95i_was_formed_by | \-E68_Dissolution | P99i_was_dissolved_by |
| \--E40_Legal_Body | \-E66_Formation | P95i_was_formed_by | \-E68_Dissolution | P99i_was_dissolved_by |
URLs: strictly speaking "/birth" and "/death" are correct only for E21_Person, but it's good enough to also use for other actors

(+) Lec: we are taking into account both person and groups
(?) Vlado: consider the extended version above. You don't have to distinguish E40_Legal_Body: you can stick with E74_Group

h2. Thesaurus URIs

eg [http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-7-0001-pub.tif/format/2]
#- As described in [#Deep Zoom Image], the JPEG2000 URL [http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-7-0001-pub.tif/format/7] is unsuitable since it serves the whole image.
# (/) Using ODAI GUID:&nbsp;
{jira:RS-1920}
#- for format/1,2,3,6
{noformat}http://deliver.odai.yale.edu/content/id/<contentId>/format/<Y>{noformat}
In the sections below we use these image aliases for brevity. In RDF the actual http URL should be used. *Not* a "made up" node with P1_is_identified_by pointing to the actual URL

h3. Image Sizes Formats

YCBA keeps images in many sizes. These sizes or "formats" are over 15 and include video, 3D models, etc.
The ones I've encountered for images are listed below ("width" is just an example):
| *url suffix* | *size label* | *width* | *file* | *use in RS* |
| *url suffix* | *format code* | *format label* | *width* | *file type* | *use in RS* |
| format/1 | sm | Screen small | 250 | jpeg | result list thumbnail (or could use 2) |
| format/2 | med | Screen medium | 480 | jpeg | lightbox, object view, data basket preview |
| format/3 | large | Screen large | 1920 | jpeg | |
| format/6 | print-lg | Print large | 3000 | tiff | |
| format/7 | JPEG2000 \\ | Zoom (JPEG 2000) | 4279 | jp2 | This is the max available size. We don't use this URL for annotation since it serves the whole [#Deep Zoom Image] |

h3. Deep Zoom Image
We need to implement IIIF support in RS Image Annotation, and multiplexing between IIP and IIIF

[#Image Metadata]:
- The URL included in the metadata (X/derivatives/7/url), eg [http://deliver.odai.yale.edu/content/id/1b747e8f-7754-482c-b5a2-9e1dc1986f4b/format/7], is not appropriate since it serves the whole image.
- One should concatenate the server URL [http://scale.ydc2.yale.edu/iiif/] and X/derivatives/7/contentId to make the sc:hasRelatedService URL, which is used as base of the tile URLs
h3. Image Views

Image Views are different photographs of the same painting, using different modes (Flags). Flags.
Eg the lovely Miss Prue [http://collections.britishart.yale.edu/vufind/Record/1669236] has 8 image views:
[^5005-images.html]
{html:script=^5005-images.html}{html} {html}

<table><tr>
<td valign="top"><img src="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-pub.tif/format/1"/><br/>cropped to image, recto, unframed<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-pub.tif/format/1">Screen small</a> (205x249)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-pub.tif/format/2">Screen medium</a> (395x480)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-pub.tif/format/3">Screen large</a> (1580x1920)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-pub.tif/format/6">Print large</a> (2468x3000)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-pub.tif/format/7">Zoom (JPEG 2000)</a> (4492x5460)<br/>
<td valign="top"><img src="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-bar.tif/format/1"/><br/>recto, unframed<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-bar.tif/format/1">Screen small</a> (169x249)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-bar.tif/format/2">Screen medium</a> (325x480)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-bar.tif/format/3">Screen large</a> (1300x1920)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-bar.tif/format/4">Print small</a> (1016x1500)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-bar.tif/format/5">Print medium</a> (1422x2100)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0004-bar.tif/format/6">Print large</a> (2031x3000)<br/>
<td valign="top"><img src="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0002-pub.tif/format/1"/><br/>framed, recto<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0002-pub.tif/format/1">Screen small</a> (217x249)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0002-pub.tif/format/2">Screen medium</a> (418x480)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0002-pub.tif/format/3">Screen large</a> (1673x1920)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0002-pub.tif/format/4">Print small</a> (1307x1500)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0002-pub.tif/format/5">Print medium</a> (1830x2100)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0002-pub.tif/format/6">Print large</a> (2614x3000)<br/>
<td valign="top"><img src="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0003-pub.tif/format/1"/><br/>framed, verso <br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0003-pub.tif/format/1">Screen small</a> (217x249)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0003-pub.tif/format/2">Screen medium</a> (418x480)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0003-pub.tif/format/3">Screen large</a> (1670x1920)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0003-pub.tif/format/4">Print small</a> (1305x1500)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0003-pub.tif/format/5">Print medium</a> (1826x2100)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0003-pub.tif/format/6">Print large</a> (2609x3000)<br/>
<td valign="top"><img src="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0005-pub.tif/format/1"/><br/>detail, recto <br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0005-pub.tif/format/1">Screen small</a> (249x197)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0005-pub.tif/format/2">Screen medium</a> (480x380)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0005-pub.tif/format/3">Screen large</a> (1920x1519)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0005-pub.tif/format/4">Print small</a> (1500x1187)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0005-pub.tif/format/5">Print medium</a> (2100x1661)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0005-pub.tif/format/6">Print large</a> (3000x2373)<br/>
<td valign="top"><img src="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-8001-mas.tif/format/1"/><br/>Composite X-radiograph<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-8001-mas.tif/format/1">Screen small</a> (209x249)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-8001-mas.tif/format/2">Screen medium</a> (404x480)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-8001-mas.tif/format/3">Screen large</a> (1614x1920)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-8001-mas.tif/format/6">Print large</a> (2522x3000)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-8001-mas.tif/format/7">Zoom (JPEG 2000)</a> (8016x9534)<br/>
<td valign="top"><img src="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0001-pub.tif/format/1"/><br/>cropped to image, recto, unframed<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0001-pub.tif/format/1">Screen small</a> (206x249)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0001-pub.tif/format/2">Screen medium</a> (397x480)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0001-pub.tif/format/3">Screen large</a> (1589x1920)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0001-pub.tif/format/4">Print small</a> (1241x1500)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0001-pub.tif/format/5">Print medium</a> (1737x2100)<br/><a href="http://deliver.odai.yale.edu/content/repository/YCBA/id/ba-obj-5005-0001-pub.tif/format/6">Print large</a> (2482x3000)<br/>
</tr></table>
{html}

RS should display something similar on the Related Images tab (but not laid out in such an ugly way): all views, one format as image, all formats as links. See [#Image Derivation] for the RDF data

h3. Image Flags

The views have these comma-separated Flags:
The views have these Flags (Aspects), coming from&nbsp;contentSet/content/metadata@caption which is&nbsp;comma-separated:
0. cropped to image, recto, unframed (0 is always the Main View)
1. recto, unframed

Lec: these strings are not from a controlled thesaurus, so people can put anything.
Vlado: it still seems to me they are fairly consistent, so Yale could represent this by breaking on space and making a thesaurus:
For now I think it's enough to lump them in one thesaurus, eg:
{noformat}
skos:prefLabel "Yale Center for British Art" .
{noformat}
- (-) This is probably wrong, it should describe the specific sub-organization (department):
- (-) This is wrong, it should describe the specific sub-organization (department) (see [YCBA sub-orgs|#YCBA sub-orgs]?):
{noformat}
crm:P50_has_current_keeper <http://collection.britishart.yale.edu/id/thesauri/department> ;
{noformat}
If you don't have departments, don't say anything (you already say that YCBA is the keeper).
\\
Emmanuelle: &nbsp;We do pass departments designations to our XML files in the OAI&nbsp;<setSpec>{color:#000000}ycba:ps{color}</setSpec>. &nbsp;Frames are included in the Paintings & Scupture department.

h2. Current Location
Emmanuelle: What do I do for the following crm:P14_carried_out_by association codes? Do they become types or labels?
Vlado: These are all types of Production sub-events, because they pertain to the nature of the production process. See [BM Association Mapping v2#Produced By Specific Process] for the pattern:
- -AR-Artist-
- -AU-author-
- FB-finished by
- -FB-finished by-
- \-M-maker\-
- R-printer (printed by)
- PM-printmaker (print made by)
- Z-publisher (published by)
- TU-touched up by (print)
- \-R-printer (printed by)\-
- -PM-printmaker (print made by)-
- \-Z-publisher (published by)\-
- -TU-touched up by (print)-

BTW: if you have just 1 code, it would be nice to optimize and not create sub-events, but BM doesn't do that

Use [http://collection.britishart.yale.edu/id/thesauri/production/|http://collection.britishart.yale.edu/id/thesauri/production/]
| crm:P14_carried_out_by | *R* | printed by |
| crm:P14_carried_out_by | *Z* | published by |
| crm:P14_carried_out_by | *5* | Drawn by |
| crm:P14_carried_out_by | *P* | Painted by |
| crm:P14_carried_out_by | *M* | Made by |
These codes mean the same:
| crm:P14_carried_out_by | *PM* | print made by |
| crm:P14_carried_out_by | *TU* | touched up by |
| crm:P14_carried_out_by | *E* | Engraved by |
| crm:P14_carried_out_by | *AQ* | Aquatinted by |
| crm:P14_carried_out_by | *VEB* | Variously engraved by |
| crm:P14_carried_out_by | *EB* | engravings by |

h3. Formerly Attributed To

See [BM Association Mapping v2#Probably/Unlikely Produced By]
- (?) What other lido:attributionQualifierActor have you got?
- (+) &nbsp;Emmanuelle: these are YCBA attribution qualifiers (also documented in&nbsp;[https://confluence.ontotext.com/display/ResearchSpace/Meta-Thesaurus+and+FR+Names&#124;../../../../../../../../../../display/ResearchSpace/Meta-Thesaurus+and+FR+Names&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;&#124;\||]&nbsp;as&nbsp;[http://collection.britishart.yale.edu/id/thesauri/likelihood|http://collection.britishart.yale.edu/id/thesauri/likelihood]):&nbsp;Attributed to, Formerly, Formerly attributed to, After, Follower of, Imitator of, Style of, Circle of, Studio of, Workshop of

h3. Production Qualification

Look in [LIDO:29334|http://collections.britishart.yale.edu/oaicatmuseum/OAIHandler?verb=GetRecord&metadataPrefix=lido&identifier=oai:tms.ycba.yale.edu:29334]. Search for "Object related role": there are 2 actors and a qualification:
| *Actor* | *Role* | *Qualification* |
| Samuel Palmer | Printmaker | Print made by |
| Alfred Herbert Palmer | Printmaker | completed by |

As you see in [BM Association Mapping v2#Produced By Specific Process], BM models "Printmaker" as a production sub-event with P2_has_type <printing> and P14_carried_out_by <actor>. They don't have a Qualification as you have above.
- Emmanuelle: I thought BM was using Qualifications as well? &nbsp;Here a BM record with "Drawn by Elizabeth Emily Murray":
[http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=739275&partId=1&people=113629&peoA=113629-2-9&page=1]
- Vladimir: see the data at
[http://test.researchspace.org:8081/resource?uri=http://collection.britishmuseum.org/id/object/PDB15015]
I think the relevant production fact is
[http://test.researchspace.org:8081/resource?uri=http://collection.britishmuseum.org/id/object/PDB15015/production/3]
and it says that Emily Ruskin carried out a Production with P2_has_type <thesauri/production/drawing>.
No qualification whether she started, completed, or whatever

You have 2 options:
# Further split up the production type <thesaurus/technique/printmaker> into <thesaurus/technique/printmaker/print_made_by> and <thesaurus/technique/printmaker/completed_by>.
#- This is not faithful because "completed by" is not related in any way to printing. It's about who started something and who finished it, a pattern that can apply to any production technique (e.g. someone made a cast and another made the final sculpture from it).
#- Emmanuelle: I beg to differ. &nbsp;In this case what is implied for Alfred Palmer when his name is prefaced with 'completed by' is that we suspect that he etched and printed the plate. &nbsp;This is a case where further research will precisely identify his role, which in turn will change his roles and qualifications. &nbsp;Regardless of Alfred Palmer's role, however, it absolutely has to do with printing. &nbsp;
#- Vladimir: What I mean is that "completing" something is applicable not just for Printing, but for other processes as well (eg making a sculpture from a cast).
If you use "completed by" only for Printing, then you should call it "Print completed by" to be more specific.
# (-) Model the Qualification as a [Reified Association|BM Association Mapping v2#Translated Code In Reified Association]. An example application of this pattern is [production attribution (probably/unlikely)|BM Association Mapping v2#Probably/Unlikely Produced By].
{noformat}
<prod> P9_consists_of <prod/1>,<prod/2>.
<prod/1> P14_carried_out_by <SamuelPalmer>; P2_has_type <thesaurus/technique/printmaker>.
<prod/1/association> a bmo:EX_Association;
P140_assigned_attribute_to <prod/1>; P141_assigned <SamuelPalmer>; bmo:PX_property P14_carried_out_by;
P2_has_type <thesaurus/qualification/made_by>.
<prod/2> P14_carried_out_by <AlfredHerbertPalmer>; P2_has_type <thesaurus/technique/printmaker>.
<prod/2/association> a bmo:EX_Association;
P140_assigned_attribute_to <prod/2>; P141_assigned <AlfredHerbertPalmer>; bmo:PX_property P14_carried_out_by;
P2_has_type <thesaurus/qualification/completed_by>.
{noformat}
#- Emmanuelle: I have no objections against Reified Association but it seems given the&nbsp;(-) &nbsp;before it that you/Vladimir already decided against it?
#- Vladimir: everywhere in this page, the red minus means Yale should do something (and change it to a green plus)

| CB: commenced by |
| CPB:&nbsp;completed by |
| FB:&nbsp;finished by |


h3. Probably/Unlikely Produced By

* *Probably*

*A*: Attributed to


*PA*: Print attributed to

*&nbsp; &nbsp; &nbsp;* *AO*: attributed to office of

*&nbsp; &nbsp; &nbsp;* *PR*: perhaps

*&nbsp; &nbsp; &nbsp;* *PRB*: perhaps by

&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; *PRA*: perhaps with assistance from

*&nbsp; &nbsp; &nbsp;*{*}PO*: possibly

*&nbsp; &nbsp; &nbsp;*{*}POB*: possibly by

*&nbsp; &nbsp; &nbsp;* *OPO*: or possibly

*&nbsp; &nbsp;* *COPO*: Circle of or possibly
* *Unlikely*

*AE*: Formerly attributed to:&nbsp;



h3. Use P14_carried_out_by and thesaurus/likelihood


h3. Influenced By

(-) "After" (and other similar codes) should be mapped to P15_was_influenced_by, with EX_Association and P2 code that says "after". See [BM Association Mapping v2#Influenced By] or Dominic’s document sec 6.6.16. Jana checked the document: a separate Production node is used in this case.

The current representation uses P14_carried_out_by for both "created" and "after" which is incorrect:
{noformat}
<http://collection.britishart.yale.edu/id/object/34464/production> a crm:E12_Production ;
crm:P9_consists_of <http://collection.britishart.yale.edu/id/object/34464/production/1> , <http://collection.britishart.yale.edu/id/object/34464/production/2> .

<http://collection.britishart.yale.edu/id/object/34464/production/1> a crm:E12_Production ;
crm:P14_carried_out_by <http://collection.britishart.yale.edu/id/person-institution/3732> ;
crm:P2_has_type <http://collection.britishart.yale.edu/id/thesauri/production/artistic_production> ;
crm:P4_has_time-span <http://collection.britishart.yale.edu/id/object/34464/production/1/date> .

<http://collection.britishart.yale.edu/id/object/34464/production/2> a crm:E12_Production ;
crm:P14_carried_out_by <http://collection.britishart.yale.edu/id/person-institution/6418> ;
crm:P2_has_type <http://collection.britishart.yale.edu/id/thesauri/production/artistic_production> .
{noformat}


Use P15_was_influenced_by

*AT*: After

*ATPO*: After possibly

*POAT*: possibly after

*ATPOB*: after possibly based on a model by

*AF*:&nbsp;follower of

*AI*: imitator of

*AL*: Manner/style of

h2. Production Authority


h3. Production Motivated By

*CO*: Commissioner

h2. Unknown Artist
{status:title=postponed|color=gray} Some records say "production performed by Unknown Artist".
- Vladimir: As for "18th century": RS cannot currently search by dates of the creator (life and flourit), but it can search by creation dates, which I think is "close enough".

Example: object/34466 is created "by unknown artist, 19th c.; after unknown artist."
In the current representation this maps to two production events using a single YCBA term. This is logically inconsistent (Unknown has influenced himself ;-) ):
- P14_carried_out_by <person-institution/616> and also
- P15_was_influenced_by the same <person-institution/616>

h3. Unknown Artist example
{jira:RS-1940}

Jana: These statements don't carry information and the birth/date dates are even wrong.
{noformat}
<http://collection.britishart.yale.edu/id/person-institution/616> a crm:E21_Person , skos:Concept ;
skos:inScheme ycba:person-institution ;
skos:altLabel "Unknown artist" ;
skos:prefLabel "unknown artist" ;
skos:altLabel "Unknown framemaker" , "Unknown rights holder" , "Unknown rights administrator" ;
crm:P98i_was_born <http://collection.britishart.yale.edu/id/person-institution/616/birth> ;
crm:P100i_died_in <http://collection.britishart.yale.edu/id/person-institution/616/death> ;
bmo:PX_gender <http://collection.britishart.yale.edu/id/thesauri/gender/unknown> .
<http://collection.britishart.yale.edu/id/person-institution/616/birth> a crm:E67_Birth ;
crm:P82_at_some_time_within <http://collection.britishart.yale.edu/id/person-institution/616/birth/date> .
<http://collection.britishart.yale.edu/id/person-institution/616/birth/date> a crm:E52_Time-Span ;
rdfs:label "0" ;
crm:P82a_begin_of_the_begin "0"^^xsd:gYear .
<http://collection.britishart.yale.edu/id/person-institution/616/death> a crm:E69_Death ;
crm:P82_at_some_time_within <http://collection.britishart.yale.edu/id/person-institution/616/death/date> .
<http://collection.britishart.yale.edu/id/person-institution/616/death/date> a crm:E52_Time-Span ;
rdfs:label "0" ;
crm:P82b_end_of_the_end "0"^^xsd:gYear .
{noformat}

Emmanuelle: Sorry to come back to this 'unknown' issue but if we don't emit 'unknown' creators as a group then works such as 4533 seem to have no creators since it is:
{noformat}
bmo:PX_display_wrap "Production by :: unknown artist" , "Production by :: After unknown artist"
{noformat}
This seems more wrong to me than modeling 'unknown' as a group?

Vlado: Not stating any facts about creators merely means that you don't know. It doesn't mean you assert there were no creators, due to semweb's Open World Assumption.
- Asserting that a single Unknown person created all these paintings is factually incorrect.
- Asserting he was born at year 0 is historically incorrect
Even if there was a year 0: I think that "0"^^xsd:gYear is invalid and will fail RDF validation.
- Asserting that he was influenced by (created them "After") himself is logically inconsistent.
- Asserting his gender is "unknown" is useless.

If you omit all these statements, you'd lose nothing, but gain correctness.

You and Ken described valid search use cases (see [#Closely Related Group], and we've postponed how to serve them.

Getty does have a bunch of unknown artists of *known* Nationality (e.g. Unknown Afghan).
But it's better to make a straightforward statement, and then you'd be able to search by nationality:
{noformat}
<object/4533/production> P14_carried_out_by <thesaurus/nationality/Afghan>.
{noformat}


h3. Closely Related Group

- Vlado: The simplest solution could be to just mark with a flag "there's significant unknown info about the producer".


*Closely Related Group association codes:*

AG; studio of
W: workshop of
AJ: circle of


*Produced by Closely Related Individual:*

N: Pupil of



h2. Curatorial Comment

- (-) Yale: PX_curatorial_comment needs date and author added to the data model
- {jira:RS-1926}
- Vlado: easy to tackle with EX_Association, which is is a subclass of E13_Attribute_Assignment (see [attribute_assignment@crmg] and [recorder@crmg]):
{noformat}
P14_carried_out_by <researcher>;
P4_has_time-span <obj/comment/1/date>.
<obj/comment/1/date> P82_at_some_time_within "2013-07-06"^^xsd:gYear. "2013-07-06"^^xsd:date.
{noformat}
-- you could alternatively use P3_has_note instead of PX_curatorial_comment, to accommodate apps that know CRM and EX_Association but not PX_curatorial_comment. But I still think using the subproperty is better

{jira:RS-1925}
- Obviously in P141 you need to put the actual PX_curatorial_comment string, not the word "comment".
- Use a XSD type that corresponds to the date's resolution:
P82_at_some_time_within "2007-01"^^xsd:gYear : should use gYearMonth

h2. Inscriptions


- (?) Emmanuelle: Two other similar fields are problematic in our data: Signed and Inscriptions.&nbsp; They are problematic because, on the model of the marks field above, they record both the transcriptions of the signatures and inscriptions as well as the fact that we may have searched for a signature and inscription on a work but did not find any and consequently these fields may carry the value: not signed, not dated, no inscription.
\\
\\
The variations on these 3 values are multiple, unfortunately (not inscribed,…)&nbsp; In order to not emit administrative data about signatures and inscriptions (not signed, not dated, no inscription), we would need to filter out all of these variations
-- Vlado: I see the difficulty. Ok, let's not do such filtering, and just emit the strings as they are. (Semweb says not to record missing facts, but here you've recorded the fact that you searched for it and none was found)
h2. Dimensions

{status:title=postponed\|color=blue}


You state object dimensions (including their properties):
{noformat}
{code}
- (?) If you have data with lido:qualifierMeasurements, we should also consider it
- (-) I &nbsp;I assume "Support (PTG)" is a (semi-)controlled value, so better make a term:
{noformat}
<http://collection.britishart.yale.edu/id/object/7>
<object/7/production/1> crm:P10_falls_within aat:300111159.
aat:300111159 a skos:Concept, crm:E4_Period;
skos:inScheme aat: , aat_periods: ;
skos:prefLabel "British".
{noformat}
The scheme is defined in [Meta-Thesaurus|#Meta-Thesaurus].
Depending on a tech decision you may have to emit only aat_periods: and skip aat: )

(-) &nbsp;Periods are complex cultural phenomena that may have time and place dimensions, even a union of such dimensions (think of Fascism). These are not Periods, they are mere Time-Spans:&nbsp;16th century, 17th century, 18th century, 16th century-17th century.

h2. Material and Technique

h2. Object Type and Genre

&nbsp;(+) &nbsp;resolved issue



(-) Object Type and Genre (lido:objectWorkType) are missing, eg
{code:xml}
<lido:objectWorkType>
Which leaves me a bit puzzled how to map "classification": object type or "sub-collection".
- I wrote a little script to extract these 2 fields from Yale data:
{code:sh}{code}
{code:bash} egrep -A1 'type="(Classification|Object name)"' * | perl -pe "s{.*edu_(\d+).*?>([^<]*)(<.*)?}{$1: $2}" {code}
- For many Yale objects, objectWorkType and classification are the same (painting, scuplture, frame, etc)
- For some objects (4 of 13) there are differences:
The above sections are written after examining a few Paintings only.
But YCBA has other object types (Prints, Drawings, Sculpture, Paintings, Frames, even Cakes\!), for which the mapping could be slightly different.
- (/) : collection that is out of scope for now
Eg see [MARC21|http://columbus.library.yale.edu:8055/OAI_Orbis/src/OAIOrbisTool.jsp?verb=GetRecord&identifier=oai:orbis.library.yale.edu:3505631&metadataPrefix=marc21] and [OAI_DC|http://columbus.library.yale.edu:8055/OAI_Orbis/src/OAIOrbisTool.jsp?verb=GetRecord&identifier=oai:orbis.library.yale.edu:3505631&metadataPrefix=oai_dc] records for a book
- (!) Lec to include various object types in the samples
- The available Search fields and [#Classification] vary by collection

{table-plus:columnTypes=S,I|autoTotal=true}
| Paintings and Sculpture | 2226 | [search|http://britishart.yale.edu/collections/search/paintings-and-sculpture] [browse|http://collections.britishart.yale.edu/vufind/Search/Results?lookfor0%5B%5D="Paintings+and+Sculpture"&type0%5B%5D=collection_facet] |
| Prints and Drawings | 48968 | [search|http://britishart.yale.edu/collections/search/prints-and-drawings] [browse|http://collections.britishart.yale.edu/vufind/Search/Results?lookfor0%5B%5D="Prints+and+Drawings"&type0%5B%5D=collection_facet] |
| (/) Rare Books and Manuscripts | 15392 | [search|http://britishart.yale.edu/collections/search/rare-books-and-manuscripts] [browse|http://collections.britishart.yale.edu/vufind/Search/Results?lookfor0%5B%5D="Rare+Books+and+Manuscripts"&type0%5B%5D=collection_facet] |
| (/) Reference Library | 33173 | [search|http://britishart.yale.edu/collections/search/reference-library-and-archives] [browse|http://collections.britishart.yale.edu/vufind/Search/Results?lookfor0%5B%5D="Reference+Library"&type0%5B%5D=collection_facet] |
| Frames | 1376 | [search|http://britishart.yale.edu/collections/search/frames] [browse|http://collections.britishart.yale.edu/vufind/Search/Results?lookfor0%5B%5D="Frames"&type0%5B%5D=collection_facet] |
{table-plus}
The available Search fields and [#Classification] vary by collection

- Collections that are out of scope for now:
Eg see [MARC21|http://columbus.library.yale.edu:8055/OAI_Orbis/src/OAIOrbisTool.jsp?verb=GetRecord&identifier=oai:orbis.library.yale.edu:3505631&metadataPrefix=marc21] and [OAI_DC|http://columbus.library.yale.edu:8055/OAI_Orbis/src/OAIOrbisTool.jsp?verb=GetRecord&identifier=oai:orbis.library.yale.edu:3505631&metadataPrefix=oai_dc] records for a book

{table-plus:columnTypes=S,I|autoTotal=true}
| *collection* | *count* | *search, browse* |
| Rare Books and Manuscripts | 15392 | [search|http://britishart.yale.edu/collections/search/rare-books-and-manuscripts] [browse|http://collections.britishart.yale.edu/vufind/Search/Results?lookfor0%5B%5D="Rare+Books+and+Manuscripts"&type0%5B%5D=collection_facet] |
| Reference Library | 33173 | [search|http://britishart.yale.edu/collections/search/reference-library-and-archives] [browse|http://collections.britishart.yale.edu/vufind/Search/Results?lookfor0%5B%5D="Reference+Library"&type0%5B%5D=collection_facet] |
{table-plus}

h2. Paintings and Sculpture

Inside the box lies this rather intriguing inscription: "Cake (2001): a series of 12 iced fruit cakes with inkjet images. Each cake is an edition of 25. Produced by Cakes Direct, Ilford, Essex. This signed box certifies the authenticity of the artwork contained within. It must accompany the work through any changes of ownership. \| Edition number 20/25 \[hand written\] Date 2001\[hand written\]" The inscription is followed by the signature of the artist. &nbsp;So in fact the work of art 'Boots' is not only the cake, but the cake within the box. They cannot be separated. That is why we catalogued 'boxes (containers)' as a subject term.

{color:#000000}{*}Prints and Drawings{*}{color}
h2. Prints and Drawings

- Search fields:
Title: